Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Jacopo Pontormo
Anbetung der Heiligen Drei Konige

ID: 91863

Jacopo Pontormo Anbetung der Heiligen Drei Konige
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Jacopo Pontormo Anbetung der Heiligen Drei Konige


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Jacopo Pontormo

Italian 1494-1557 Jacopo Pontormo Galleries Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. His highly personal style was much influenced by Michelangelo, though he also drew on northern art, primarily the prints of Albrecht Derer.  Related Paintings of Jacopo Pontormo :. | Madonna and Child with St Anne and Other Saints | Annen-Altar, Madonna mit Hl. Anna, links | Joseph in Egypt | Madonna and Child with Saints | Profilportrat eines Mannes |
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Thomas Webster
(March 10, 1800 - September 23, 1886), was an English genre painter, who lived for many years at the artists' colony in Cranbrook. Webster was born in Ranelagh Street, Pimlico, London. His father was a member of the household of George III, and the son, having shown an aptitude for music, became a chorister, first at St George's Chapel in Windsor Castle, then the Chapel Royal at St. James's Palace in London. He abandoned music for painting, however, and in 1821 was admitted as a student to the Royal Academy, exhibiting, in 1824, portraits of "Mrs Robinson and Family." In the following year he won first prize in the school of painting. In Sickness and Health (1843)In 1825, also, Webster exhibited 'Rebels shooting a Prisoner,' at the Suffolk Street Gallery - the first of a series of pictures of schoolboy life for which he subsequently became known - . In 1828 he exhibited 'The gunpowder Plot' at the Royal Academy, and in 1829 'The Prisoner' and 'A Foraging Party aroused' at the British Institution. These were followed by numerous other pictures of school and village life at both galleries. In 1840 Webster was elected an associate of the Royal Academy (ARA), and in 1846 a Royal Academician (RA) academician. He continued to be a frequent exhibitor till 1876, when he retired from the academy. He exhibited his own portrait in 1878, and 'Released from School,' his last picture, in 1879. In 1856 Webster was photographed at 'The Photographic Institute', London, by Robert Howlett, as part of a series of portraits of 'fine artists'. The picture was among a group exhibited at the Art Treasures Exhibition in Manchester in 1857. From 1835 to 1856 Webster resided at The Mall, Kensington, but the last thirty years of his life were spent at the artists' colony in Cranbrook, Kent, where he died on 23 Sept. 1886.
Rene Schutzenberger
Rene Schutzenberger (Mulhouse July 29, 1860, Paris December 31, 1916), also known as Paul Rene Schutzenberger, was a French painter. Born in an Alsatian family of famous brewers, his father Paul Schutzenberger (1829-1897) was a French chemist. The painter Louis-Frederic Schutzenberger (1825-1903) was his cousin. He studied at the Academie Julian under Jean-Paul Laurens. He started to exhibit at the Salon des artistes français since 1891, at the Salon des Independants since 1902 and at the Societe Nationale des Beaux-Arts since 1907. He got an honourable mention at the Salon of 1897 and at the Universal Exhibition of 1900. He practices genre painting, portraits, nudes and landscapes. He treats subjects of the daily life and intimists subjects. His style is close to the Post-Impressionism movement. His drawings are influenced by the Nabis.
GRIMMER, Jacob
Flemish Baroque Era Painter, ca.1570-C.1619






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